BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Madison Theatre - ECPv6.16.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Madison Theatre
X-ORIGINAL-URL:https://madisontheatreny.org
X-WR-CALDESC:Events for Madison Theatre
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20180311T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20181104T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20190310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20191103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190907T200000
DTEND;TZID=America/New_York:20190907T200000
DTSTAMP:20260624T063638
CREATED:20190402T194150Z
LAST-MODIFIED:20190403T165958Z
UID:3325-1567886400-1567886400@madisontheatreny.org
SUMMARY:JONATHAN BUTLER AND KIRK WHALUM
DESCRIPTION:JONATHAN BUTLER\nThe youngest of 13 children\, Butler grew up in Cape Town\, South Africa\, ruled by Apartheid and segregation. “I was born poor\, but richly blessed with talent and the gift to make music\,” he says. “I can’t dismiss where I’ve been or where I’ve come from. I’m a proud South African and I came from nothing.” \nButler began his singing career at age 7\, releasing his first album in 1973 and winning the Best New Artist Grammy in South Africa the following year at age 12. He made history by being the first black artist played on white South African radio while earning three gold records (“Please Stay” went double gold and “I Love How You Love Me” went gold) in 1975 as he became a teenager. \nMore than a decade later\, Butler moved to London\, England after signing with Jive Records and released his first album internationally. The self-titled set went gold in 1987 in the United Kingdom and in the USA. He received Grammy nominations for Best R&B Song for his R&B-pop vocal hit “Lies” and for Best Jazz Song for the instrumental “Going Home.” His genre-busting material earned songwriter’s awards and received abundant airplay in multiple radio formats: pop\, urban\, contemporary jazz\, adult contemporary and gospel. Butler’s 2004 album\, Surrender\, went gold in South Africa where he remains a superstar. “I don’t think I’ve ever really celebrated these moments in my life. I’ve spent my whole life taking care of people ever since I was seven. And I’m grateful\, but this is the season of me.” \nButler is still taking care of people back home. Last fall\, he launched the Jonathan Butler Foundation in his native country to fund music education programs that give children the purpose to overcome a life of drugs and poverty just as he did. The music and arts programs serving South African children ages 4-17 operate with the mission statement\, “Purpose kills addiction.” \nAnother aspect of Butler’s “season of me” is his blossoming love affair with golf. He’s only been playing slightly more than a year\, but he’s smitten and plays almost daily\, often with other musicians. “I’m not sure how golf took over\, but it attached itself to me. I can go out on the golf course and have ‘guy time.’ I’m completely taken over by this little white ball. I’m so at peace and calm when I’m out there and so relaxed after playing\, which I never thought would be the case since I’ve never been a sports guy. I wasn’t trying to find another passion\, but it actually found me. Golf has become my saving grace and has given me a look inside me. I think it’s the freedom. It’s amazing how much it’s given me.” \nIn concert\, Butler remains a captivating and powerful performer\, pouring his heart into selections from his immense catalogue. In addition to being a popular draw at headline dates\, festival shows and music cruises\, Butler thrives on interacting with his fans. For the past 4 years\, he has led a group of 35 guests each fall on the Jonathan Butler Safari\, during which he shares his South Africa by visiting important landmarks in his life\, as well as historic locales such as the prison on Robben Island where Nelson Mandela was jailed. \n“I’ve come to a really good place in my life even if finding my way there was tough. I’m living my dream and it’s amazing what God is doing—seeing all these things through tears and pain. Seeing God place me in these extraordinary places and opportunities…if I couldn’t see it\, I’d really be blind and faithless. I need to hold onto the love surrounding me. I had never really dropped my shoulders to embrace it. It took shedding my skin\, realigning and readjusting myself as a person\, honestly looking at how I can become a better person\, which affects my family. We stood together through difficult periods and it taught me not to make too many allowances in life\, of which I had been making too many. It was a trying time and a difficult year emotionally and personally\, but I did a lot of reflecting over the past two years and I’m in a good place\,” summarizes Butler. \nDuring an extraordinary musical life that has unfolded in the public eye\, Butler has seen and endured a lot. He’s watched his country turn itself inside out for the better—much like he has done with his own life. Living and witnessing the brutalities and injustice of oppression as a celebrated child star while at the same time not permitted to enjoy basic human rights\, indulgence naturally became his coping device. If not for a spiritual intervention\, his light would have been extinguished long ago on the mercilessly dark path of abuse and self-destruction. His music has purpose\, providing comfort and genuine inspiration. When he sings\, he testifies to the glory and healing power of love. When he plays guitar\, his fast fingers innately find notes of passion and divinity. Jonathan Butler’s recording career has carried him far\, far beyond his wildest dreams. He’s living his dream and that is a blessing for us all. \nKIRK WHALUM\nSoulful\, passionate\, stirring…these are the words most often used to describe Kirk’s music. Forged from his Memphis\, TN gospel roots and his 1980s initiation into the thriving Houston\, TX nightclub scene\, Kirk’s big\, rich tenor sound is unmistakably his. The ’80s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was there that Kirk ultimately developed both his “voice” and songwriting in the crucible of the local club scene––especially at a rooftop club called Cody’s. \nIt was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour\, which led to five successful albums with Columbia Records\, including Cache\, Kirk’s first #1 album. As well\, Kirk and Bob received a Grammy nomination for their collaboration album\, Joined at the Hip. After moving to Los Angeles\, Kirk became an in-demand session player for top artists like Barbra Streisand\, Al Jarreau\, Luther Vandross\, Larry Carlton\, Quincy Jones and most notably\, Whitney Houston\, amongst many others. \nIt’s his sax heard on the mega-hit\, “I Will Always Love You.” Kirk soon followed that career high point with his phenomenal hit album released on Warner Bros. Records\, For You\, perhaps the most successful of over 25 solo recordings to date; others include his eclectic\, and much lauded Gospel According to Jazz series (Chapters 1\, 2\, 3 and 4). In addition to his many solo projects\, Kirk was also a member of the popular soul/jazz group BWB\, which features Kirk as the “W” of the group with Rick Braun (trumpet) and Norman Brown (guitar). \nAn ordained minister\, Kirk has earned a Master of Art in Religion. It’s in this spirit that he serves his community in various ways when his touring schedule allows. There is also his daily fifteen minute podcast\, Bible In Your Ear (BIYE)\, in which he invites you to listen along as he reads through the Bible in a year. In addition to music and ministry\, Kirk has a passion to educate young\, aspiring musicians and is currently engaged as a music professor at Visible Music College in his hometown of Memphis. \nKirk is the recipient of numerous awards and acknowledgements for his musical excellence including three Dove Award nominations\, an NAACP Image Award nomination and has won two Stellar Awards-Gospel music’s highest honor. A twelve-time Grammy nominee\, Kirk won his first Grammy Award (2011) for Best Gospel Song (“It’s What I Do”––featuring Lalah Hathaway) alongside life-long friend and gifted songwriter Jerry Peters. \nIn a career spanning decades\, Kirk has a sound that is uniquely his; it is a sound that leaves an indelible imprint on the listener.
URL:https://madisontheatreny.org/event/jonathan-butler-and-kirk-whalum/
ATTACH;FMTTYPE=image/jpeg:https://madisontheatreny.org/revamp/wp-content/uploads/2019/04/whalum.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190920T200000
DTEND;TZID=America/New_York:20190920T200000
DTSTAMP:20260624T063638
CREATED:20190418T222530Z
LAST-MODIFIED:20190507T192056Z
UID:3451-1569009600-1569009600@madisontheatreny.org
SUMMARY:Breakout Star Comedian Tom Cotter from America's Got Talent
DESCRIPTION: \nComedian Tom Cotter has taken the comedy scene by storm since finishing as runner-up and becoming the Breakout Star from Season 7 of “America’s Got Talent.” He lost to a dog act\, but don’t hold that against him; Tom was the first comedian ever to be a finalist on the show and was the highest-finishing human being on the show that year. In August 2013\, AGT asked Tom back to perform as a special guest star (along with Train) and then again to host the Season 8 “AGT Snapple Viewing Party.” \nIn January 2019\, Tom was again invited back to the AGT stage – this time to perform against the best of the best “Got Talent” performers from other years and around the world in “America’s Got Talent: The Champions.” In one of the most talked-about sets of the entire competition\, Tom received a STANDING OVATION from the adoring crowd. \nTom’s other numerous television and radio credits include “The Tonight Show\,” “Last Comic Standing\,” his very own “Comedy Central Presents…Tom Cotter” special\, “The Howard Stern Show\,” “Comics Unleashed\,” multiple appearances on CBS’ “The Late Late Show\,” and Celebrity Host of “Gotham Comedy Live” on AXS-TV. \nYou can find Tom headlining all of America’s most famous comedy clubs including: The Comedy Cellar\, The Improv\, and Caroline’s on Broadway\, just to name a few. Tom has also been featured at the Montreal Just For Laughs Festival\, the HBO Comedy Arts Festival and headlining the “America’s Got Talent Live” show at The Palazzo in Las Vegas. And recently\, Tom was on the dais and took part in the Friars Club Roast of Boomer Esiason at the Waldorf Astoria in New York City. Tom is also a regular on Fox News Channel and co-starred on an episode of CBS’ “The Good Wife.” \nIn addition\, Tom has performed in a wide variety of venues from Alaska to China. His appeal is truly international\, as he was summoned to London to tour and perform on British Television\, and won The Seattle International Stand-Up Comedy Competition and Boston Comedy Festival\, which The Boston Herald noted that Tom was “winning by the largest margin of victory in the history of the event.” Tom came out with his first book\, “Bad Dad: A Guide to Pitiful Parenting” (Willow Street Press) in February 2016\, which is a collection of jokes\, gags\, one-liners and pithy bad advice for fed-up parents everywhere. It is this kind of versatility that has allowed Tom to excel in other areas of showbiz as well. So whether it be comedy\, voice-overs\, or acting\, Tom Cotter gives it everything he’s got: “If laughter is the best medicine\, I yearn to be drugged.”
URL:https://madisontheatreny.org/event/tom-cotter/
ATTACH;FMTTYPE=image/jpeg:https://madisontheatreny.org/revamp/wp-content/uploads/2019/04/tom.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190921T200000
DTEND;TZID=America/New_York:20190921T200000
DTSTAMP:20260624T063638
CREATED:20190405T180116Z
LAST-MODIFIED:20190703T184909Z
UID:3356-1569096000-1569096000@madisontheatreny.org
SUMMARY:Wicked Divas
DESCRIPTION:Join us for a Wicked-good evening of diva showstoppers from the world of Broadway\, opera and pop\, highlighted by selections from the Tony Award®-winning musical Wicked. This program features Elphaba and Glinda from the Broadway production of Wicked and will showcase the depth of their high-flying talents. In addition to favorites from the “untold tale of the witches of Oz\,” the program also includes favorites from Gypsy\, Ragtime\, Titanic\, and opera selections from George Bizet’s Carmen. \n“…combined with those gorgeous show tunes played by Steven Reineke and the Cincinnati Pops\, just about everything was coming up roses.”- Cincinnati Enquirer (Cincinnati\, OH) \n“Bewitching\, beguiling\, bedazzling – it was all of that and more as two ‘witches’ from Broadway wove a magic spell no one wanted to break in the opening concert of the Grand Rapids Symphony’s final Fox Motors Pops Series weekend Friday night.” – Grand Rapids Herald-Review (Grand Rapids\, MI) \n“The vocalists took turns celebrating divas of all different flavors\, from Eliza Doolittle in My Fair Lady to power balladeer Celine Dion via her turn\, ‘My Heart Will Go On.’ In a nice variety of instrumental selections\, the orchestra played a medley of the ‘Symphonic Sounds of Diana Ross’ as well as a sweet\, simple rendition of ‘Over the Rainbow\,’ featuring concertmaster Sara Schaft.” – Beacon Journal (Akron\, OH) \nSTARRING\n  \n\nAlli Mauzey\nAlli just finished performing on Broadway in the Tony Award®-winning revival of Hello\, Dolly!  Before that she starred on Broadway as Glinda the Good in Wicked\, a role she also performed to critical acclaim on the First National Tour and in the San Francisco company. Other Broadway credits include Lenora in the musical Cry-Baby\, for which she won a Theatre World Award and was nominated for a Drama League Award\, and Brenda in Hairspray (both on Broadway and in the original company of the First National Tour). Alli also originated the role of Lenora in the Pre-Broadway production of Cry-Baby at the La Jolla Playhouse in San Diego (Theatre Critics Circle Award). Other New York credits include New York City Center Encores in the role of Minerva in The Golden Apple as well as Sydney in It’s a Bird…It’s a Plane…It’s Superman\, Ellie May Shipley in Show Boat with the New York Philharmonic and the Off-Broadway production of Red Eye of Love. Regionally\, she has appeared as Mallory in City of Angels for Reprise! in Los Angeles\, Snookie in 110 in the Shade at the Pasadena Playhouse\, and Audrey in Little Shop of Horrors at The Muny\, for which she was nominated for a Kevin Kline Award. Ms. Mauzey has performed with many of the top orchestras in North America including the Nashville Symphony Orchestra in the title role of Cinderella\, benefiting the adoption organization Show Hope. Ms. Mauzey has a B.F.A. from New York University’s Tisch School of the Arts in drama with a minor in music. \n  \n\nDee Roscioli\nDee Roscioli is best known for her portrayal of Elphaba in the smash Broadway hit Wicked. She has performed this role on Broadway\, in Chicago\, and across the US and holds the distinction of having performed Elphaba in more performances than any other actress. This past summer\, Dee performed the leading role of Mrs. Lovett in Sweeney Todd at the Pennsylvania Shakespeare Festival. Additional NY credits include The 24-Hour Musicals\, Murder Ballad (Workshop\, Manhattan Theatre Club)\, Therapy Rocks (NYMF). She has also performed as Grizabella in the National Tour of Cats. \nShe recently sang her solo show for a sold-out audience at Birdland in NYC and in Chicago as well. She was a special guest of Anthony Rapp and Adam Pascal at their concert\, and appeared opposite Anthony Rapp in a critically-acclaimed performance in a new play entitled Dedalus Lounge. Ms. Roscioli has also been invited to sing at the prestigious Broadway on Broadway\, accompanied by a 30-piece orchestra.
URL:https://madisontheatreny.org/event/wicked-divas/
ATTACH;FMTTYPE=image/jpeg:https://madisontheatreny.org/revamp/wp-content/uploads/2019/04/wickeddivas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190922T150000
DTEND;TZID=America/New_York:20190922T150000
DTSTAMP:20260624T063638
CREATED:20190405T180834Z
LAST-MODIFIED:20190418T215345Z
UID:3363-1569164400-1569164400@madisontheatreny.org
SUMMARY:Tenori Italiani
DESCRIPTION:For the first time in the United States\, The Four Italian Tenors perform the greatest Tenor Arias and Songs of all time\, in wonderful unique arrangements\, created particularly for their U.S. Debut Tour. \nTheir performances are captivating\, exhilarating\, passionate\, engaging and mesmerizing. Hear this new generation of world-class Tenors explore and present these classic works with panache\, verve and vivacity\, all in their own inimitable style. \nBe transformed to the land of Italy\, and bathe in its rich culture with the sounds of The Four Italian Tenors. \n– THE TENORS –\nAlessandro D’Acrissa\nAlessandro D’Acrissa graduated with honors in opera singing at the Conservatory of Cosenza\, under the guidance of Claudia Sisca\, from the Teatro Colón in Buenos Aires. He debuted in the role of Renato (protagonist) in the operetta\, “The Count of Luxembourg” by F. Lehar\, at the Theatre Rendano in Cosenza; as Pinkerton in “Madama Butterfly” by G. Puccini (Pordenone-Vicenza). \nIn 2007\, he was the protagonist of “A Time of Monteverdi Soul\,” written and directed by V. Mennella. \nIn 2008\, he was the protagonist of the unpublished opera novel “Cielo Andino” by Mauricio Annunziata. \nIn 2009\, he was featured in “Bastien and Bastienne” by W.A. Mozart. \nIn 2011\, he sang in the modern opera “Phaedra” by N.F. St. Sangiovanni. \nIn 2013\, he was Ernesto in Donizetti’s Don Pasquale produced by the Teatro dell’Opera in Rome. \nIn March 2014\, he performed in “Gastone” in La Traviata “of the mirrors”; director Henning Brockhaus\, conducted by Maestro G. Gelmetti at the Teatro Verdi in Trieste. In October\, he was Agenor in “The Shepherd King” by Mozart\, directed by M ° F. Krieger. At the Teatro Verdi in Trieste he was Abdallo in Verdi’s “Nabucco\,” conducted by Giampaolo Bisanti\, directed by Stefano Poda. \nIn 2015\, he made his debut in the role of Dona Easter Polegana in “Il Campiello” by W. Ferrari. He sang the role of Dr. Caius in Verdi’s Falstaff and recently has sung the role of Schmitd in Werther by Massenet\, directed by C. Franklin. At the Teatro Comunale in Modena he performed the role of Sam in “The Little Sweep” by B. Britten. Recently\, he has debuted the role of Nemorino in Elisir d’Amore at the Teatro Traiano Civitavecchia under the baton of Maestro S. Seghedoni and directed by Gianmaria Romagnoli. \nHe has guested in several TV shows\, he took part of the cast for the entire 2009/2010 season as a singer at Domenica in Pippo Baudo and Pippo Caruso on Rai Uno. He was selected by the Pavarotti Foundation to take part in the show Belcanto: The Pavarotti Heritage conducted by Maestro Pasquale Menchise. \nFederico Serra\nFederico Serra\, born December 22\, 1987 in Italy. \nFrom a young age he displayed an aptitude for music and singing\, inspired by his parents and his older brother. \nAt just 11 years old\, he won his first pop music competition in Italy. The family understood his artistic singing skills and decided to support him by enrolling Federico in light singing lessons. \nWithin a few years\, Federico participated in some singing competitions\, placing himself in first place in seven events. \nAt 17 years old\, Federico enrolled at the Liceo Musicale of Varese with specializations for opera singing and piano. He began a long period of in-depth study of the musical discipline with masters of the caliber of Vito Maria Brunetti\, Gianfranco Cecchele\, Federico Longhi and Alfredo Zanazzo. Thanks to the commitment and results achieved\, Frederico made his debut in 2014 at the Donizetti theater in Bergamo. In 2015\, he performed for the first time with the Verona Philharmonic\, interpreting the most famous opera arias\, and continued this concert activity in the following years in different theaters. \nFederico Parisi\nBorn in Taormina\, Italy\, Frederico began studying voice at age 14. In September 2011\, he won “The Youngest Tenor of Italy” award\, presented by Tenor Pietro Ballo and Soprano Monica Curth Di Stefano. In January 2012\, he was awarded the “Città di Taormina” prize. \nAfter concerts throughout Sicily and Calabria\, in 2014\, Federico was featured in Italian TV’s Channel 5 “Tu si que vales” by Belen Rodriguez and Francesco Sole. \nIn summer 2014\, in addition to classical music concerts\, Federico opened the concert dates in Sicily of Italian pop music artists such as Ivana Spagna\, Anna Tatangelo\, and Giuseppe Povia. \nSince 2015\, Federico has enjoyed many successes and acclaim in performing popular Italian songs\, where he has been host to the television program “Insieme” on Antenna Sicilia. \nRoberto Cresca\nRoberto began his voice studies at the Conservatory of Music of Santa Cecilia in Rome. \nIn 2004\, he made his debut in the opera Rita by G. Donizetti at the Teatro Vittorio Emmanuele of Benevento in the role of Beppe. In September 2006\, he sang at the Palais de la Bourse in Paris where he received wide acclaim from critics and audiences. \nIn 2008\, he made his debut in Tosca by G. Cavaradossi in Puccini. \nRoberto has performed at Teatro Marrucino of Chieti\, Theatre Union of Viterbo\, Teatro Municipale in Piacenza\, Teatro Bibiena of Mantua\, among many others. \nIn 2009\, he made his debut in Donizetti’s L’Elisir d’amore for Tusciaoperafestival\, directed by M.S. Vignati\, and performed the role of Pietro for the new opera Generation by R. Avallone Wojtyla in Kielce (Poland). \nIn March 2010\, Roberto won the 64th European Union Contest of Spoleto. \nIn July 2010\, he performed in a concert at the Universal Expo in Shanghai (China) as a representative of Italian excellence in the world. \nIn the 64th season of the Teatro Lirico in Spoleto\, Roberto debuted in Bizet’s Carmen in the role of Don Jose. \nRoberto has participated in international tours in China\, Turkey\, the Netherlands\, Russia\, South Africa and Canada. \nIn December 2010\, he was a special guest at the Grand New Year’s Concert in Nanjing (China)\, broadcast live on radio and TV throughout China. \nFor the 65th season of the Teatro Lirico Sperimentale di Spoleto 2011\, Robert made his debut in the role of B. F. Pinkerton in Madama Butterfly by G. Puccini\, and also his debut as Rodolfo in La Boheme by G. Puccini directed by M ° M. Gatti. \nIn March 2012\, he performed “Turiddu” in the opera Cavalleria Rusticana by P. Mascagni and Rambaldo in Adelaide di Borgogna by Pietro Generali\, in the first performance in modern times directed by F. Piva at the Teatro Sociale di Rovigo. \nIn 2012\, Roberto debuted the role of Alfredo in La Traviata by G. Verdi. \nHe has recorded for OMA MUSIC the CD “operArias” conducted by Maestro Viktor Karzalis\, containing a selection of the most famous tenor arias.
URL:https://madisontheatreny.org/event/four-italian-tenors/
ATTACH;FMTTYPE=image/jpeg:https://madisontheatreny.org/revamp/wp-content/uploads/2019/04/tenors-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190928T190000
DTEND;TZID=America/New_York:20190928T190000
DTSTAMP:20260624T063638
CREATED:20190405T175809Z
LAST-MODIFIED:20190816T163023Z
UID:3353-1569697200-1569697200@madisontheatreny.org
SUMMARY:Chris Monty & Friends
DESCRIPTION:With over 20 years of stand-up comedy and television under his belt\, Chris Monty continues to delight audiences worldwide. His latest high-profile projects include his stand-up comedy special titled “What’s the Worst That Could Happen” (Amazon Prime)\, Vinyl (HBO)\, Red Oaks (Amazon Prime)\, Paul Bart: Mall Cop 2 (Sony Pictures)\, Kevin Can Wait (CBS)\, and Orange is the New Black (Netflix). \nIn his stand-up routines\, Chris Monty channels a refreshing and unique style of the 1960s cool funnyman mixed with a modern chic. His unique take on current topics and storytelling are reminiscent of the comics that would keep The Rat Pack in stitches for weeks. He spans generations in that older crowds love his cool\, retro style and younger crowds see a cadence that they haven’t seen on stage. It is truly something unique to experience. \nChris’s experience as a stand-up comedian also lends itself to his wide-ranging acting work. He uses his quick improvisational skills and ability to use physical slapstick and timing to enhance his leading and supporting actor roles. Whether on screen or stage\, Chris Monty has the chops to make your creative endeavor something to be remembered for months and years to come.
URL:https://madisontheatreny.org/event/chris-monty/
ATTACH;FMTTYPE=image/jpeg:https://madisontheatreny.org/revamp/wp-content/uploads/2019/04/monty.jpg
END:VEVENT
END:VCALENDAR